![]() We’ve gotten mixed messages on this, and have contacted Apple for clarification. Thanks to Tom on Twitter for the heads-up. The Verge reports that a previously reported workaround, using manual XML export, no longer works. Update – adding a new compatibility wrinkle, DJ compatibility with iTunes appears to be broken. There’s also a lot of new technology in this update, meaning that if you really want a stable release, you need to wait anyway, even to give developers ample time to test the final build. That illustrates just how fragile this can be – they’re working with Apple on issues involving their Dorico software and the Soft-eLicenser. Steinberg, for instance, referred back to their September 24 announcement and tell CDM they’ll need more. Most don’t, though, and it might only take one hardware driver or piece of software to ruin your day. ![]() Some developers do have updates ready for their latest software, as in the case of Ableton Live 10. In fact, nothing has changed as far as the compatibility situation described in the article. (And even if you do, you absolutely should back up everything first, and plan in advance how you would roll back the OS if needed.) (Not sure about that delivery above let’s hope they iron that out.) But basically, if you have any need for stability and compatibility for critical creative work, you probably shouldn’t upgrade today. This isn’t an argument about whether or not those changes make sense – generally speaking, they do. I did say I thought those permissions might be a bit overwhelming, but – here’s an idea: The short version: Catalina adds security requirements for installers and software, and removes support for 32-bit code. Improves performance when upgrading a library that contains many markers.MacOS Catalina will be incompatible with much of your music software here’s what to know Fixes an issue that could cause video to be cropped in the multicam angle editor. Fixes an issue that caused an offline media badge to remain on an event after reconnecting. Export HEVC and H.264 files faster by simultaneously processing video segments across available media engines (requires macOS Sonoma or later and a Mac with Apple M1 Max, M1 Ultra, M2 Max, M2 Ultra, or M3 Max). Use the enhanced Reveal in Browser feature to easily locate a clip in the browser without losing your selected Keyword Collection or Smart Collection. ![]() See improved results when using the Object Tracker’s all-new machine-learning model to analyze the movement of faces and other objects on Mac computers with Apple silicon. View both video and audio role colors to easily see the organization of the timeline at a glance. ![]() Increase editing efficiency by combining a selected group of connected clips into a connected storyline. Automatically scroll the timeline to keep your clips in view under the playhead during playback. With Final Cut Pro you can import and edit everything from standard-definition to 8K video-including ProRes, ProRes RAW, and all major professional camera formats. You can create, view, and edit captions within Final Cut Pro, and deliver them as part of your video or as a separate file. And it’s built to harness the extreme power of Mac Studio or MacBook Pro for next-level performance.įinal Cut Pro includes an intuitive, comprehensive set of tools for closed captioning in a variety of formats, without the need for expensive third-party software or services. With optimizations for Apple silicon and the power of its Metal engine, Final Cut Pro allows you to edit more complex projects and work with larger frame sizes, higher frame rates, and more effects - all at incredible speeds. It also allows you to adjust focus points and depth of field on clips captured in Cinematic mode on iPhone. Final Cut Pro uses powerful machine learning to detect faces and objects, then matches their movement with titles and effects.
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